A Super-8 feature film should have at least 3 or 4 same Super-8 camera models as no one can fix this camera quickly enough and they will be useful for various scenes that shouldn't be repeated such as stunt scenes. The accessories for Super-8 cameras include lens shades, filters, lens caps, tripods and wide angle attachments. If the Super-8 cameras are not the same, use the quiet running ones indoors and the louder ones outdoors. Telephoto lenses can keep the camera farther from the actor and still get a good close-up. Some XL Super-8 cameras are automatic and the exposure meters can be tricked by intense beams of light.

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The script is highly important for Super-8 projects and there must be constructive collaboration between all the participants of the crew for the project to be remarkable. One strategy to create a story that would work well in Super-8 is to visualize a famous actor and to focus on him. Or you could write a script that features an action hero, westerns or theatrical musicals. The story has to be about the actor being the main interest throughout the movie. Sets shouldn't require impressive designing or expensive lighting configurations.

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